[nfb-talk] The Story of joybubbles:
Kenneth Chrane
kenneth.chrane at verizon.net
Sat Dec 29 19:09:53 CST 2007
>From The New York Times,
December 30, 2007:
Tone Phreak Elizabeth
a.. McCRACKEN
Published: December 30, 2007
Someday there will be no need of the dial tone, and for a few of us it will
be as if the voice of God has gone dead. That reassuring voice that will
speak to anyone who knows how to listen: like God, it exists everywhere and
yet only in your cupped ear, even if you're a small blind boy with a reputed
172 I.Q. whose parents are fighting late at night.
Victor Schrager
Joybubbles's phones (top phone for incoming calls only).
This was in the early 1950s. He was still Josef Engressia then, born in
Richmond, Va., and phones were solid objects. All those lovely, palpable
parts: the dial, the curved metal tooth that stopped a fingertip, the 10
finger holes, the curled cord from mouthpiece to phone body that could be
straightened out but boinged right back. The thin cable that ran from the
back of the phone to the wall, and from the wall into the world, a secret
passageway as sure as any rabbit hole or mirror. A phone could be endlessly
caressed and - if there were noises to drown out - listened to. Phones didn't
care that he couldn't see.
"Lots of scary sounds and stuff at night," he'd say, years later. "Sometimes
I'd hug my phone up close and listen to the dial tone, the soft hum of the
dial tone that was always there."
Ask any mother: children love telephones. "I'm a telephone man forever," he
told his mother when he was not quite 4. The family moved a lot - his father
was a school portrait photographer - but the phone lines followed him. The
phone directory was his favorite storybook, with all the new exchanges and
Dial-a's: Dial-a-Joke, Dial-a-Devotion and Dial-a-Prayer, 24-hour-a-day
voices, improvisations on the dial tone: something to listen to when you
have no one else to call.
The boy decided to talk back to the phone. Not to other people, not right
away: to the phone line itself, and in its own language. At 7, with his
perfectly pitched ear, he heard through the receiver the tone that
controlled long-distance connections, 2,600 cycles per second. "I started
whistling along with it," he said, "and all of a sudden the circuit cut off,
and I did it again, and it cut off again. And gradually . . . I figured
out - back in the mid-'50s - just how to do it."
Those tones were how telephones spoke to one another. Once you'd cut the
circuit off, you could call anywhere you wanted. He became a student of
phones and phone systems. He heard noises on the line and called the phone
company to find out what they meant. By the late 1960s he was a student at
the University of South Florida, whistling long-distance phone calls for his
classmates at a dollar a pop. In 1971, Ron Rosenbaum, in his landmark
Esquire article, called him "the original granddaddy phone phreak," though
he was only 22. The phone phreaks were a subculture of pranksters and
oddballs and proto-hackers who loved phone lines the way some boys love
train lines: for their intricacies, their puzzles, the way they led as far
away from home as you could get and then back again. They looked for
weakness in the lines, flaws in numbers that allowed them to skip around the
globe, from Moscow to Saudi Arabia to California. Some phreaks whistled;
some duplicated tones with electronic keyboards and tape recorders; some
built dialing boxes; at least one used a giveaway whistle from a box of Cap'n
Crunch cereal. Two - Steve Wozniak and Steve Jobs - went on to invent Apple
computers.
But that same year, Joe Engressia was arrested in Memphis on charges of
defrauding the phone company and stripped of even the toy phone he kept on
his desk. He claimed he got arrested on purpose, to get the attention of the
phone company so they'd employ him. It worked: he got jobs for phone
companies in Tennessee and Colorado as a troubleshooter and operator. He
gave up illegal calling but spent the rest of his life playing with lines,
looking for defects and reporting them.
In 1988, he decided to cast aside the memories of his unhappy childhood - he
said he'd been abused by a nun at a school for the blind - and thereafter
declared that he was 5 years old. In 1991, he changed his legal name to
Joybubbles. He handed out his telephone number and invited strangers to
call. He counseled them on how to stay young forever, according to the
principals of his invented Church of Eternal Childhood, whose motto was
"Re-envisioning a new past in the present is important for our future." When
he discovered that the University of Pittsburgh had the complete run of
"Mister Rogers' Neighborhood" on tape, he went on a pilgrimage: he rented an
apartment nearby and spent hours in the library listening to every episode,
sometimes hugging a stuffed globe, huddled under a blanket. Then he returned
to his home in Minneapolis, a tiny, unlighted apartment filled with phone
equipment, stuffed animals, old cassette tapes, plastic toys. He lived on
disability payments. He didn't take care of himself. "I don't want to grow
old," he told his friend Steven Gibb.
Children love telephones. Joybubbles, who was 5 years old when he died this
year, and 5 years old the year before that, 5 years old for almost 20 years,
was no exception. "What a wonderful thing a telephone is," he said on
Stories and Stuff, one of his own Dial-a's, which he recorded to voice-mail
using his own phone. His mother had hoped he would outgrow his fascination
with the phone, but as he told the phreak historian Phil Lapsley, he had two
words for her: "Fifty years."
You can listen to old installments of Stories and Stuff on the Internet.
Joybubbles's voice is nasal and careful. He remembers the deaths of Kennedy
and Oswald; the pleasing thwack-thwack of people walking in flip-flops; a
play group he went to in the early 90s; the terror of his father hitting his
mother. He talks about his dear friend Dawn Waters, a rich woman from
Melbourne who called him after he appeared on an Australian radio show, who
phoned nearly every day, who flew to Minneapolis to visit him at the drop of
a hat, who adopted him in a special healing ceremony.
"Take care of each other, stay strong, find some time to play," he says at
the end of most recordings. "Don't let God laugh alone."
When Joybubbles died, Steven Gibb arranged a telephone memorial, a sort of
Quaker service over phone lines, a conference call four hours long with 50
people telling stories. His friends had been trying to find rich Dawn Waters
of faraway Australia, and the first thing Gibb had to explain was that Dawn
did not exist. She was a 5-year-old's imaginary friend: powerful, loving,
able to fly through the air whenever he needed her.
Listening to Joybubbles, you can hear the make-believe in every sentence -
not a grown man acting 5 years old, but one pretending, like Fred Rogers
before him, that he is talking directly to everyone who might hear him,
children and eternal children, one at a time, in a voice that tries to
imagine the loneliest child in the world, and what would comfort him.
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