[Journalists] Digital cameras?

LoriStay at aol.com LoriStay at aol.com
Mon Mar 5 14:25:47 CST 2007


 
Hi, Cheryl.
My husband is totally blind, and has been known to take better pictures  than 
I do.  To avoid getting shots of the sky, make sure the bottom of the  camera 
is parallel to the ground, and don't let the lens tilt upwards.  It  should 
be horizontal.  Try resting the camera against your chest to correct  the 
angle.  Stand at least five feet away from your subject, and point the  lens 
towards his/her voice.  This should work.
Lori Stayer
 
In a message dated 3/5/07 12:15:13 PM Eastern Standard Time, cwade at mdn.net  
writes:

Hello. I read with interest the question 
about digital cameras for  point-and-shoot work. I wonder if any of 
you who are totally blind have  done any point-and-shoot photography. 
I've always wanted to have somebody  go out shooting with me and see 
how I could aim my camera at people's  voices and get really cool 
over-exposed shots of people's heads and the  sky. I just wonder if it 
can be done.

Cheryl  Wade




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-------------- next part --------------
Hi, Cheryl.
My husband is totally blind, and has been known to take better pictures than I do.  To avoid getting shots of the sky, make sure the bottom of the camera is parallel to the ground, and don't let the lens tilt upwards.  It should be horizontal.  Try resting the camera against your chest to correct the angle.  Stand at least five feet away from your subject, and point the lens towards his/her voice.  This should work.
Lori Stayer
 
In a message dated 3/5/07 12:15:13 PM Eastern Standard Time, cwade at mdn.net writes:
  Hello. I read with interest the question
about digital cameras for point-and-shoot work. I wonder if any of
you who are totally blind have done any point-and-shoot photography.
I've always wanted to have somebody go out shooting with me and see
how I could aim my camera at people's voices and get really cool
over-exposed shots of people's heads and the sky. I just wonder if it
can be done.
Cheryl Wade
 
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